A flashback is a moment where the story goes back in time. It can be from two hours ago or twenty years ago. It can be a memory of past trauma that has been triggered due to circumstances in the present or give the audience a piece of information from the past needed to journey in the present story.
It’s a simple definition but a lot of aspiring screenwriters get flashbacks wrong. Let’s look at when not to use a flashback.
Flashback for flashback’s sake:
A lot of aspiring screenwriters use flashbacks because they think a flashback will revitalize their story, make a character interesting, or give the audience background information that we otherwise don’t need. Non-effective flashbacks snatch us out of the read and take away the urgency of the present narrative. Flashbacks must meet the same high standards and checkboxes of every other scene in your script. They must push the story forward, reveal character, and enhance the theme of the present story because let’s face it, the past has already happened and has no stakes.
Below are situations where a flashback will be most effective:
- Cause and Effect: The past moment affects the character’s external journey, justifying their actions and decisions moving forward.
- Showing Past Trauma: This type of flashback reveals a defining moment/s of distress in the character’s past that defines that character’s current trauma.
- Nostalgia: This type of flashback is when a character thinks about a happy point in their past, but remember that the character must be grappling with an emotional problem and the flashback is showing us how it is still affecting them.
- History: This type of flashback quickly gives us backstory in a compelling way and is most often impactful in stories about historical figures.
- Information: We cut to the flashback, learn something new that helps the present story, and cut right back.
To see these in action below are some examples of flashbacks used properly and effectively.
1. Cause and Effect:
An example of this type of flashback takes place in JOHN WICK.
In his flashbacks, we can see that he is tortured by the times he spent with his wife, which impacts and justifies his decision-making after seeing the dog that his wife left for him being killed. This flashback also reveals his central flaw and enhances the theme of revenge.
2. Past Trauma:
A perfect example of this being used comes from THE HAUNTING OF BLY MANOR. (SPOILER ALERT)
3. Nostalgia:
An example of a Nostalgia flashback takes place in BIG LITTLE LIES. (SPOILER ALERT)
4. History:
An example of this type of flashback also comes from THE HAUNTING OF BLY MANOR.
5. Information:
This type of flashback occurs in the film PARASITE. (SPOILER ALERT)
After the massacre that took place at the owner’s birthday party, we flashback to see Kim, the father, taking refuge in the basement after murdering the owner at the birthday party, then flash forward to see Ki-woo, the son, and Choong-sook, the mom, taking a tour of the house in order to buy it and reunite what’s left of his family.
So if you’re looking to use flashbacks in your script, make sure they are necessary and push the story forward. Read screenplays that use them and see how they push they work as a storytelling mechanism. Learning how to use them effectively can push your script to a new level and get you closer to all your writing dreams!
Need help turning your story idea into a finished script? Click here to take the leap.
-Written by Collin Shaw